"Meet the wall" project is not about ostentation strength and "to be nice", but about the need to simply keep moving forward.

  There are stages in life when you meet walls from circumstances or hit a dead end of limiting beliefs. You are thrown from a well-kept garden into a ditch, where weed grow among crumbling stone walls chaotically. These outsider plants in the backyards of human attention symbolize that it is time to look for a new way.

  The marathon term "hit the wall" describes the state of the runner at the last stage of the distance, when almost all internal resources are exhausted and the finish line is still ahead. The key is to keep moving to trigger the body's response to save energy and use internal reserves to go on. Fears and doubts are overcome through actions, even small and imperfect ones.

  The Japanese aesthetic worldview, which assumes the synthesis of the ugly and cute as beautiful or the absence of beauty as the highest manifestation of beauty, allows us to see in this ditch the new beauty of simple things: colored spots, the play of lines, light and shadows on the walls. Thus, the feeling of hopelessness turns into enthusiasm, which gives strength to move forward.

  When, except the wall, you begin to see some forms, the wall disappears and turns into a canvas, and the forms become a new hope.